This book has been on my “to be read” list for ages and I finally got my hands on it. There has been a lot of hype about it in my writer circles, so I was eager to see what all the fuss was about. Initially, I thought that this might be a steampunk story with a Cinderella twist because of the original cover – a woman’s foot in a high-heeled shoe that was transparent enough to show that the foot was mechanical inside.
Nope. Not steampunk. Not even close.
Cinder, is a gifted mechanic, which is good, and part cyborg, which is bad. As you can guess, she’s the Cinderella in our story and has a nasty stepmother as well as two sisters, one who’s kind and the other who is cruel. There is a ball, and a prince, and a lost foot, and even a special vehicle that get’s Cinder to the ball. But, there’s no fairy Godmother.
The other part of this story, strangely enough, is an Anastasia story. There is a lost heir to the Lunar throne, one who, if found, could remove the current wicked Lunar Queen and restore justice and ensure peace between Lunars and Earthens.
And then, there’s the world the story is built within. In this Cinderella story, we are taken to the future where there is a pandemic running wild with no cure. Yeah, I didn’t see that one coming either. Guess I should have read the back cover blurb… Oops. The story is set in New Bejing 126 years after World War IV.
All of these disparate elements come together in a cunningly woven story where Cinder is driven to desperate measures to escape her situation only to find she’s not only needed, but a vital part of solving a much larger issue.
This was a fun romp through an interesting and well-constructed futuristic world. Meyers has put a ton of effort to weave together fantastical ingredients into a realistic gritty world. Cinder takes the Cinderella role and pushes the boundaries further by first, being really good at something unexpected, and second, wanting something else than to go to the ball and be with the prince.
Part of the fun in this book is seeing how the Cinderella trope is turned on its head and which parts of the story remain faithful. Instead of cute cartoon mice, we have a spunky android helper who’s obsessed with fashion and Prince Kai. Instead of a pumpkin carriage, we have an old gasoline powered car that Cinder fixed herself as an escape vehicle to be able to leave the city, where hover cars couldn’t go. And instead of a huge search to find a missing shoe, Cinder loses her cyborg foot, revealing to the prince that she’s not quite human.
There are a few things that irritated me personally. Meyers doesn’t shy back from letting people who are important to main characters die. There are three instances where we as the reader are teased along that there might be a cure to save these people and it’s all a matter of beating the ticking clock. In most stories, one of these will survive in a dramatic scene where the cure comes at the last possible second. While I see why Meyers chose to not follow the traditional footsteps, as it makes for a much more devastating loss for Cinder, but as a reader I don’t like to be led along to then be robbed of a successful rescue.
This makes for a great young adult sci-fi. It’s got lots of action, some tasteful romantic leanings, quite a bit of angst and drama, and great world building. Yes, there are some mild descriptions of blood and injury, mostly relating to the plague like pandemic that’s riddled through the story, but they aren’t excessive or over the top.
For those who love adaptations, this one does a solid job taking the Cinderella story and elevating it to something with more stakes.
I enjoyed Cinder and give it a 4 of 5 stars for being thoroughly entertaining but doing a few things that misled the reader in an annoying way.
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