The full title of this book is as follows (this is important later, so pay attention):
The Fork, The Witch, and the Worm: Tales from Alagaesia, volume 1: Eragon
Pretentious much? Not only does this title promise that there will be more of these, but from differing characters as well. This book is a tiny thing, especially when compared to the other Paolini books. It’s slightly bigger than my hand and the text and margins inside are both abnormally large. The publisher wanted this to look longer than it actually is. I don’t know about you, but that feels a lot like lying to the reader. Not cool.
The book itself looks for all the world like it should be a novel – meaning a single cohesive story. It’s not. I should have read the title closer where it said “tales” as that was the only hint that this book is actually an anthology. This makes lie #2 in my book. If you read the title page and acknowledgements, you learn that Paolini’s sister wrote the second of the three stories.
The Witch part of the story, “On the Nature of Stars,” is hers and her name isn’t mentioned anywhere on the cover. Rude.
Do I have strong feelings about this? Yes. Yes I do.
There are three distinct short stories within this book and each one is named in the title. The first, “A Fork in the Road,” centers around a young girl who has been bullied and ends up telling her story to a stranger enjoying the fire at her parent’s tavern. The stranger ends up being something more than he seems and gives the girl a fork while teaching her a lesson that even the littlest things can make a difference. It’s a nice little story and has one of the main cast of the Inheritance series playing the role of the stranger, which isn’t revealed until the end.
The witch part, “On the Nature of Stars,” is a bit stranger. It takes the characters of Angela the healer and Elva, the girl Eragon inadvertently cursed, and fills in a chunk of the story where they go off together. So … it’s fanfiction. We get to see Angela get her own point of view, which is a nice change, and we see an effort to make things better for Elva, which was something I always thought should have happened in the original story. This story is one of the better bits of the book. Well done, Angela Paolini. Yes, Christopher borrowed her name when he wrote the character of Angela the Healer initially. I find it almost too on the nose that Angela, the writer, chose to dive deeper into that character. But that’s just me.
Then, there’s “The Worm of Kulkaras” which the scene depicted on the cover. I had high hopes that this would be an awesome dragon story. And … it’s not. The story is about Ilgra, an Anointed Urgal (they are the one’s with horns) seeking revenge after a dragon killed her father then took up residence on the nearby mountain.
These three stories are connected by a narrative led by Eragon himself as he works to make Mount Arngor the new home for the surviving dragons and to protect their eggs. Each of these stories are presented to him to help him cope as he struggles with the pressures of leadership.
I wanted to love this, I really did. I wanted to be able to fall into the story, or stories as it were, and relive a taste of the larger story contained in the Inheritance Cycle. Instead, I found the forced construction of having Eragon trying to fit these three stories into his narrative uninspired and clunky. He starts the story overwhelmed and tired and being a bad leader because he can’t take a break. The random stories are forced on him to teach him how to be a better leader, kind of, and he feels magically better for having experienced each one, even though we don’t really see him internalize anything. In the end, he’s a calmer, happier person but hasn’t overcome anything major other than being bad at managing his own time.
As for the three stories, the one that captured my imagination the most was the one written by Angela. There is an otherworldly quality to the descriptions and how the story unfolds as we are seeing the world from a character who has always been a bit of a mystery. The writing is evocative, the danger and stakes meaningful, and the characters interesting.
The other two short stories didn’t leave much of an impression. The main character of “A Fork in the Road” is a whiny girl who was forced to do a mean thing out of peer pressure and lost a friend for it. From the start, this isn’t a story I’m super interested in. I was supposed to get some lovely magic and wonder and instead I got a story that teaches young people to be brave by winning a barfight with magic and a fork.
As for the dragon story. Sigh. I get what Paolini was trying to do by writing it in a new voice to match the storytelling cadence of the Urgals, but it was downright irritating. Each sentence followed the same construction of using a prepositional phrase before completing the thought.
Literally. Every. Single. Sentence.
Sidenote: When I was a younger writer, I thought that particular construction made the words feel more important and artsy and tended to use it far more than anyone should. Several years and multiple editors later, I’ve learned better.
That, and I felt cheated by the climax. The story spent way too long building up to one ending and then pulled a rabbit out of the hat by throwing in something the reader had no idea was a threat. There was some nice action there, but the main character gets cheated by not getting the thing they wanted or the thing they actually needed. What she got instead was for the dragon to not think she was nothing, which was never an explored theme of the story.
If you love Paolini and were hoping for something that broadened his created universe, this might book will leave you frustrated. There’s just enough there to tease at a few cool possibilities of something, but it left me wanting. For those diehard fans, the places it connects with existing characters were nice, but not substantial and not nearly enough.
As for it being an interesting fantasy book, if you hadn’t read the other Eragon books, the interconnecting narrative doesn’t have enough substance to stand on its own and the short stories aren’t super compelling.
It’s clean and the violence is typical for a YA fantasy.
I give The Fork, the Witch, and the Worm 2/5 stars for failing me on so many levels but having a few nice bits of writing.
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